Book Reviews | Tarpaulin Sky Magazine
TELLING YOU WHAT TO THINK SINCE 2003 | IMAGE: NOAH SATERSTROM
Book Reviews | Tarpaulin Sky Magazine
TELLING YOU WHAT TO THINK SINCE 2003 | IMAGE: NOAH SATERSTROM
Nathan Hauke’s “Indian Summer Recycling” reviewed by James Knippen
"Nathan Hauke’s Indian Summer Recycling, a collection of postmodern pastorals, evokes a singular sense of place. Front and center is the typically disregarded detritus of rural life" - James Knippen
James Pate’s Evening Signals: Maria Negroni’s “The Annunciation”
"[U]nlike a more mainstream novel, this isn’t a novel of hard-won wisdom and gentle epiphany, but a work of mirrors and lists and fever dreams and manic monologues, with no sense of closure in sight." - James Pate
Stephanie Strickland’s “Ringing the Changes” reviewed by Erica Ammann
"I imagine a visual representation of Strickland’s textual cartography in which the contextualizing axes are nebulous, a mapping in the sense that it directs possible configurations of being while also conjuring an anti-topography that conducts echoes, vibrations, and undulations. " -
Kelly Krumrie’s “figuring”: Will Alexander’s “A Cannibal Explains Himself to Himself”
Figuring is a monthly column that puzzles over (to figure) and gives shape to (a figure) writing, art, and environments that integrate or concern mathematics and the sciences. This month's column explores Will Alexander's The Cannibal Explains Himself to Himself.
James Pate’s Evening Signals: Mariana Enriquez’s “Things We Lost in the Fire”
James Pate examines Mariana Enriquez's Things We Lost in the Fire (Penguin Random House): ."the literal and symbolic collapse into one another..."
James Pate’s Evening Signals: Reflections on Olivia Cronk
James Pate examines Olivia Cronk's Skin Horse (Action Books) and Louise and Louise and Louise (The Lettered Streets Press): "the theatrical, the occult and the unnerving..."
Nathan Hauke’s “Indian Summer Recycling” reviewed by James Knippen
"Nathan Hauke’s Indian Summer Recycling, a collection of postmodern pastorals, evokes a singular sense of place. Front and center is the typically disregarded detritus of rural life" - James Knippen
James Pate’s Evening Signals: Maria Negroni’s “The Annunciation”
"[U]nlike a more mainstream novel, this isn’t a novel of hard-won wisdom and gentle epiphany, but a work of mirrors and lists and fever dreams and manic monologues, with no sense of closure in sight." - James Pate
Stephanie Strickland’s “Ringing the Changes” reviewed by Erica Ammann
"I imagine a visual representation of Strickland’s textual cartography in which the contextualizing axes are nebulous, a mapping in the sense that it directs possible configurations of being while also conjuring an anti-topography that conducts echoes, vibrations, and undulations. " -
Kelly Krumrie’s “figuring”: Will Alexander’s “A Cannibal Explains Himself to Himself”
Figuring is a monthly column that puzzles over (to figure) and gives shape to (a figure) writing, art, and environments that integrate or concern mathematics and the sciences. This month's column explores Will Alexander's The Cannibal Explains Himself to Himself.
James Pate’s Evening Signals: Mariana Enriquez’s “Things We Lost in the Fire”
James Pate examines Mariana Enriquez's Things We Lost in the Fire (Penguin Random House): ."the literal and symbolic collapse into one another..."
James Pate’s Evening Signals: Reflections on Olivia Cronk
James Pate examines Olivia Cronk's Skin Horse (Action Books) and Louise and Louise and Louise (The Lettered Streets Press): "the theatrical, the occult and the unnerving..."