Book Reviews | Tarpaulin Sky Magazine
TELLING YOU WHAT TO THINK SINCE 2003 | IMAGE: NOAH SATERSTROM
Book Reviews | Tarpaulin Sky Magazine
TELLING YOU WHAT TO THINK SINCE 2003 | IMAGE: NOAH SATERSTROM
Review of Madison McCartha’s “Freakophone World”
"[R]emember with discomfort and admiration how a certain kind of grade-school kid can shit-talk; the shit-talk makes itself felt under and over the dominant (i.e. authority’s/ bourgeois civility’s) sound. But audible. Quite audible. The shit-talk hangs around like some funny but threatening chunk that can bop between stalactite and stalagmite. If dominant sound too is a kind of tunnel, a worm, then there’s room to make it wormed through, or it gets sucked into a freakophonic tunnel" -Olivia Cronk & Philip Sorenson
Review of Mike Corrao’s “Rituals Performed in the Absence of Ganymede”
AM Ringwalt reviews Mike Corrao's Rituals Performed in the Absence of Ganymede from 11:11 Press.
Emily Carr’s “name your bird without a gun” reviewed by M. Forajter
"This doubling imbues a deeper mysticism in the poems themselves, each one lending themselves as a new portrait of the tarot. You could create a new deck from Carr’s words." - M. Forajter
Miggy Angel’s “Boy, Bestiary” reviewed by Samuel Strathman
"Angel is a precise surgeon taking a scalpel to language with his brilliant scapular word-play" - Samuel Strathman
Kim Vodicka’s “The Elvis Machine” reviewed by Charlene Elsby
"A poetry collection like none I’ve ever read, Kim Vodicka’s The Elvis Machine has a powerful emotive force. It has a rhythm that make you want to read out loud. It’s a poetry collection to dance to. But what sticks with me, most of all, is its demand." - Charlene Elsby
Sara Wainscott’s “Insecurity System” reviewed by Caryl Pagel
"In this collection, in the span of a single crown, death is both action and inaction (“there’s time enough for that”), while a rose suggests tribute, trophy, genitalia, and motivation." — Caryl Pagel
Review of Madison McCartha’s “Freakophone World”
"[R]emember with discomfort and admiration how a certain kind of grade-school kid can shit-talk; the shit-talk makes itself felt under and over the dominant (i.e. authority’s/ bourgeois civility’s) sound. But audible. Quite audible. The shit-talk hangs around like some funny but threatening chunk that can bop between stalactite and stalagmite. If dominant sound too is a kind of tunnel, a worm, then there’s room to make it wormed through, or it gets sucked into a freakophonic tunnel" -Olivia Cronk & Philip Sorenson
Review of Mike Corrao’s “Rituals Performed in the Absence of Ganymede”
AM Ringwalt reviews Mike Corrao's Rituals Performed in the Absence of Ganymede from 11:11 Press.
Emily Carr’s “name your bird without a gun” reviewed by M. Forajter
"This doubling imbues a deeper mysticism in the poems themselves, each one lending themselves as a new portrait of the tarot. You could create a new deck from Carr’s words." - M. Forajter
Miggy Angel’s “Boy, Bestiary” reviewed by Samuel Strathman
"Angel is a precise surgeon taking a scalpel to language with his brilliant scapular word-play" - Samuel Strathman
Kim Vodicka’s “The Elvis Machine” reviewed by Charlene Elsby
"A poetry collection like none I’ve ever read, Kim Vodicka’s The Elvis Machine has a powerful emotive force. It has a rhythm that make you want to read out loud. It’s a poetry collection to dance to. But what sticks with me, most of all, is its demand." - Charlene Elsby
Sara Wainscott’s “Insecurity System” reviewed by Caryl Pagel
"In this collection, in the span of a single crown, death is both action and inaction (“there’s time enough for that”), while a rose suggests tribute, trophy, genitalia, and motivation." — Caryl Pagel