Trans-genre / Hybrid Work | Tarpaulin Sky Magazine

NURTURING THE MONSTROUS SINCE 2003 | IMAGE: NOAH SATERSTROM

Trans-genre / Hybrid Work | Tarpaulin Sky Magazine

NURTURING THE MONSTROUS SINCE 2003 | IMAGE: NOAH SATERSTROM

Anna Maria Hong, Excerpts from “H & G”

"It was another 30 years before G. felt that very few people wanted to eat her or do her monstrous harm. Most people, she concluded, had enough of a handle on themselves to be indifferent, and only a few were wired to commit murder, cannibalism, child sacrifice...."

Essay by Anne Gorrick: “Taking Text Outside = Interstitial Acts”

"Let’s think a bit about textual art that is ephemeral, outside, fugitive; text that isn’t carved into a building or a street or a stone or a wall. Let’s note the diminutive textual adventure. The infinitesimal moment. I want to think about earth texts beyond shelter. Going outside brings the death in a little, releases the work into the air. Poem as prayer flag. Poem as act against the immaculate. Text as emphatic and intimate protest."

Rem + Rom, excerpt from "A Raft Manifest"

In the wake of The Becoming (book 1 of the West of Kingdom Come quadrilogy), the feral twin brothers Rem + Rom "eggnawledge itchudder" and "reeleyes" their current state (fathered by a rogue member of the Lewis + Clark expedition and reared by a she-wolf) and build a log raft to "riverse ingenear" their father’s route-cum-rut that berthed them unceremoniously in spitting image at the mouth of the Columbia—all in the name of westward expansion.

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Jordan Chesnut, “How Gross, My Seances”

"In 2015, the body of my former partner was found in the wastewater treatment facility of our college town. I wrote this play-in-verse in an attempt to uncover the reason or path of his departure...." Jordan Chesnut's How Gross, My Seances, shortlisted for the 2019 Tarpaulin Sky Book Awards.

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